III Who has removed the typewriter from my desk, so that I am a musician without his piano with emptiness ahead as clear and grotesque as another spring? My veins bud, and I am so full of poems, a wastebasket of black wire. The notes outside are visible; sparrows will line antennae like staves, the way springs were, but the roofs are cold and the great grey river where a liner glides, huge as a winter hill, moves imperceptibly like the accumulating years. I have no reason to forgive her for what I brought on myself. I am past hating, past the longing for Italy where blowing snow absolves and whitens a kneeling mountain range outside Milan. Through glass, I am waiting for the sound of a bird to unhinge the beginning of spring, but my hands, my work, feel strange without the rusty music of my machine. No words for the Arctic liner moving down the Hudson, for the mange of old snow moulting from the roofs. No poems. No birds.
- Mark Olival-Bartley
- As the resident artist at EcoHealth, my verse these days finds inspiration in the specter of future pandemics; for my dissertation at Amerika-Institut of LMU München, where I edit a weekly circular of U.S. poetry, I'm anatomizing the prosody of E. A. Robinson's sonnets—I also teach English and tutor composition.
In the Village
by Derek Walcott